Tag: Taken

Don’t Talk to Strangers, Scene #01

DON’T TALK TO STRANGERS
School Girl Taken and Fucked by Deranged Married Couple

The scene opens on Amy, a bright and happy 18-year-old high school student, as she heads home from school one afternoon. The camera lingers on her while she walks – wearing her school uniform, listening to ear-buds, and carrying a book bag innocently over her shoulder. When she passes a homeless man, she pauses and reaches into her bag, handing him her lunch leftovers. The man thanks her and she tellshim to keep his chin up before putting her buds back in and walking on. You can tell the girl is a very good Samaritan.

As Amy continues, she spots a car pulled up along the side of the road. A woman is leaning up against it. When she sees the girl approach, she pulls out her phone and starts to mutter to herself … frustrated. Amy stops and regards the woman, who is immaculately dressed and very beautiful. ‘Are you ok?’ she asks. The woman stops and, sighing, tells the girl that she’s lost and can’t get her GPS to work. She and her husband are late for an engagement and desperately need directions. Amy peers into the car and spots the woman’s husband in the front seat. He is dressed in a suit and politely waves at her. She looks back at the woman and asks where they are going, maybe she can help point them in the right direction. The woman tells her that they are attending a function at the convention center — but she lost the invite with the address and their signal dropped. Because they are out of towners, they simply don’t know where to go. Amy begins to give them directions but as she explains where to go, the woman sighs again and mutters that her mind is like a sieve. She’s not possibly going to remember. Amy stops and tries to think of another way to explain, as the woman subtly glances back at her husband. ‘What if you were to get in the car and take us there?’ The woman asks. ‘My husband and I would be happy to pay you for your troubles and it would really help us out.’ Amy, knowing that she isn’t supposed to do this, glances in at the husband again. He looks perfectly normal. ‘I would probably need to ask my parents.’ She slowly says. She looks back up at the woman, who calmly asks how old she is. When Amy replies that she is eighteen, the woman smiles and laughs. ‘If you’re eighteen then why would you need to ask your parents? You’re a grown up!’ Amy laughs along meekly. The woman asks her name and Amy tells her. ‘Well Amy,’ the woman reiterates. ‘It would really help us out if you would just get in the car.’ Amy takes a long pause before agreeing. The woman opens the back seat and Amy climbs in. Then, surveying the area and kicking dirt over the footprints, the woman walks back to the passenger side and gets inside. The car screeches off.

Two Days Later.
The camera comes into focus as Amy slowly lifts her head from her lap. She is curled up in a ball in an empty room. Her bag is gone, her ear-buds are gone, and her school girl uniform is dusty and dirty. Her hair is tousled and her face is streaked with sweat. She has a terrible headache. A bucket sits close by, alongside a toothbrush in a glass of water, and some remnants of food. She wipes her eyes and starts to pick at the food when a door opens. It’s the couple. No longer in formal wear, they step towards her in casual clothes and latex gloves. ‘You’ve eaten all your food this time,’ says the husband. ‘What a good little pet.’ The teen looks up at him in cold silence. She asks when she can have her call with her parents, the one they promised. The woman smiles. ‘I told you already Amy, you can have your phone call when you make me cum.’ The couple laugh as Amy slumps back down.

Four Days Later.
Amy runs around the empty room, banging on the walls. She unbuttons the last of her blouse and tosses it in the corner. The room is very hot. Sitting down defeated, she calls out to the couple that she is ready for them now. She’ll do whatever they want. She just needs some air. She waits desperately for a reply but it never comes and she collapses into a heap on the floor.

The Countdown, Scene #01

THE COUNTDOWN
Strangers Held by Unknown Forces and Tricked into Fucking for Freedom

SCENE opens on an unconscious 19-year-old girl, Nora, lying on the floor of an empty cell. She is wearing ‘weekend’ clothes: a tank top and skirt. From her perspective, we hear the voice of a man telling her to wake up. As she comes to her senses, she opens her eyes and, through her POV, sees a man, Alan, clearly older than her, mid 30s, dressed in boring business clothes (math teacher). ‘Are you okay?’ He asks. She screams and tries to get away from him. The man also gets frightened and moves away in his corner. ‘I don’t want to hurt you, I’m in here like you!’ The girl lets out a gasp and looks around the cell, nervously pacing. ‘It’s no use,’ says Alan, nervously. ‘I’ve tried.’ ‘Where are we?’ asks Nora. ‘I don’t know! I think we might have been… taken!’ While screaming and kicking, Nora notices a security camera in the corner of the cell, near the ceiling. She screams at it ‘LET US OUT!’ Alan, still in shock his corner of the cell, says ‘I’ve been here almost a full day, they haven’t said anything. I think they brought you in when I was sleeping.’ Nora sits down, her head in her hands. ‘What do they want from us?’ Alan responds ‘I don’t know… all I know is that we are being watched …. and… there is…that!’ He points to the ‘4th wall.’ From the POV of the wall, Nora gets up and slowly walks towards the camera. A reverse shot reveals a big digital clock reading ’23:55:04′ and counting down.

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CU of the clock: 19:59:39 and counting down. Under the clock are 5 unlit led lights.

Nora is in a ball in a corner of the cell, rubbing her arms to be warmer. Alan is in the other corner sleeping. As she shivers harder and harder, Alan wakes up. ‘It’s almost been 2 days, look at you … you are shivering! I told you I am not going to hurt you. Come and sit next to me, I’ll warm you up.’ ‘No thank you’ she replies. Alan gets up and removes his dress shirt, leaving him in an undershirt. He walks towards Nora ‘At least take this, I can’t stand to see you like this!’ She is clearly hesitant, but lets the man come closer. As he puts his shirt around her shoulder, he kneels and says ‘here, at least you won’t freeze!’ He puts his hand on her folded leg. As soon as their skin touches, all lights shut down, and a mechanical sound is heard. When the lights come back on, two blankets and a whole chicken are on the ground. At first, both fear the noise, but then see the blankets and food. They both jump on it. They wrap themselves in the blankets and start eating like starved animals each in their corners. The camera slowly pans towards the countdown on the wall. 19:57:22.

Smash cut to the bare chicken bones on the ground. We can hear their bellies grumbling. Both detainees are sitting in their corners. Nora speaks ‘So… do you think at the end of this countdown they will let us go?’ As she points to the clock, it now shows 37:13:45. ‘I don’t know,’ says Alan, rubbing his wedding ring. ‘I’m… I’m Nora by the way.’ ‘Alan.’ A silent moment. Nora adds ‘ And… what were you doing before… you know.’ ‘I was going home from class… I… I teach math at Northwestern, and I’. Before he finishes, Nora cuts him ‘I used to go there.’ She tells him how she used to attend College to become a lawyer but dropped out when she turned 19 because she wanted to become a painter. He tells her how he was in a promising band in College but was pressured into taking a real job by his girlfriend of the time. They share a look that says, ‘We are different but we are the same’, followed by an awkward moment. ‘Good night Alan’ she says, before turning away in the blanket.

18:29:56

Nora is pacing the room as Alan is sitting in a corner, rocking back and forth rubbing his wedding ring.

‘My wife must be worried sick.’ ‘You are married?’ ‘Yes, almost 10 years now. And now she must be alone, pregnant and scared.’ ‘Pregnant?’ Nora asks. Alan starts crying. He explains how his girlfriend from college pressured him into taking a job because she was pregnant back then. They got married and then had the child who then passed away. They didn’t think they could have another child, the pain was too much. ‘But then Maria got pregnant again… that was 6 months ago.’ He sobs.

Nora slowly walks toward him. ‘Hey … don’t worry, I’m sure we’ll get out’. She reaches her arm towards his shoulder. As soon as they touch, the lights go pitch black and, a moment later, pillows appear. They tense up and stare at them.

Alan gets up, wiping the tears off his face. ‘Wait a second…’ He suddenly grabs her arm. The lights go out again, and candies appear. ‘I get it,’ says Alan, terrified, ‘when I gave you my shirt, and just then my shoulder and now your arm… they want us to touch each other!’ Puzzled, Nora puts a hand on Alan’s chest, over his undershirt. Nothing happens. Alan moves her hand slowly to his exposed skin, the lights go black and more candies appear. CU on the security camera zooming in.

They both look at each other. Alan is the first one to understand and takes a step back and says, ‘Oh my god’ as he grabs his face. Nora goes ‘What? Now we know how to get food!’ ‘Don’t you get it Nora…They are watching us… they reward us when we touch skin on skin. This is some twisted pervert!’ (trailer moment).

Nora stares at him. Then she looks at the clock. Then looks at the security camera, she walks towards it. She takes off her tank top revealing her breasts. A green light flashes, and the clocks beeps fast-forwarding to 09:59:59. Alan in horror tries to look away muttering ‘what are you doing?’. She pulls down her skirt and panties. The green light flashes, and the clocks beeps fast-forwarding to 00:04:59:59.

Her attitude suddenly changed, she is now more aggressive. She turns toward Alan and goes to him. ‘Get naked Alan, that’s what they want!’ She tries to pull him up. He struggles to not look at her. ‘Come on, you pussy, we’re not at church! We can get the fuck out of here if we give them what they want! Strip!’ Alan collects himself. ‘All right… all right’. He takes off his undershirt and pants. The green light flashes, and the clocks beeps fastforwarding to 00:59:59 and counting down.

As Alan finishes taking off his socks, Nora screams ‘Ok! Now what!? You sick fucks!’ When Alan is done, one of the five led lights under the clocks lights up. They stare at it for a beat. Nora turns to Alan ‘You need to fuck me!’

Alan stares back in silence. ‘You were right Alan, this is a fucked up little circus we’ve been put into. I bet you they want us to fuck before the clock hits zero.’ Alan stutters ‘But I … My wife… I just…’ Nora pins him against the wall, ‘Look, it’s this or we are both gonna be in here for ever or until we starve. I know you are a good man, but I want to get out of here, I know you do too! Do it FOR your wife, do it FOR your kid!’ Nora points at the security camera as she says ‘ Tell them! Tell them you will fuck me!’ Alan takes a moment, then says ‘Ill… I’ll do it. I’ll fucking do it!’.

Nora drops to her knees and start blowing him. After a minute or so, a second led light lights up under the clock. Alan says: ‘It’s working!’

They descend in BG sex scene where Nora dominates and yells at the security camera ‘You like what you see?’ etc… As they change position, the led lights turn on one after the other leaving only one off.

Alan’s attitude gradually changes as he his pumped by Nora’s yelling.

As Alan is stroking his dick before cumming onto Nora’s face, they both say the each other ‘It’s almost over, we’re getting out! Almost there’ and then to the camera ‘That’s what you wanted you twisted perverts?’ He cums on her face. They take a beat looking into each other’s eyes, proud of themselves. Alan is then struck by what he just did and stumbles backward. Nora then turns to the clock, now reading 00:00:20 and still counting down, with one led still off.

‘It didn’t work’ says Nora. ‘It’s still counting down!’ Alan comes near her. They both are now hysterical, yelling ‘Wait, we’ll do it again, please, no let us g..!’.

Their voices are cut off over the image of the clock going to 00:00:00.

Credits over total silence.

Birthday Surprise, Scene #01

BIRTHDAY SURPRISE
DEVASTATED BIRTHDAY GIRL LEARNS FROM FAMILY THEY’RE NOT HER BIRTH PARENTS

SCENE OPENS on Penelope (River Fox) brushing her hair and staring off while overhearing her parents, Debra (Sarah Vandella) and Frank (Tommy Gunn), arguing in the kitchen. Debra and Frank are in a heated argument. ‘What did you THINK was going to happen? That she was going to get on her knees and suck your dick right there in front of the birthday cake?’ Debra exclaims to Frank, who looks abashed. What was going to happen to their plans of raising and preparing Penelope so that they could turn her into a sex slave when she was 18? When was it going to be THEIR time to have some fun?

There’s a flashback to a tracking shot from over the shoulders of Debra and Frank as they carry a birthday cake with numbered candles from the kitchen into the living room where Penelope is sitting in the center of couch with her hands on her lap and a cute, innocent smile on her face. Debra and Frank sing Happy Birthday as they carry the cake forward. They ceremoniously place the cake down on the coffee table in front of Penelope just as they reach the last notes of the song.

There’s another flashback to the present day where Debra’s telling Penelope that they’ve been trying to have a baby for YEARS and had four miscarriages. Adoption WAS an option but with Frank’s record and their poor finances, it wasn’t feasible. The hospital was so big and they were sure no one would miss Penelope… They just wanted a baby of their own so badly…

Penelope stops brushing her hair and grins slightly to herself as her parents’ words echo in her head.

TITLE PLATE

Penelope moves to the kitchen, asking if she’s interrupting anything. Debra insists that there was just something on Frank’s shirt. Penelope tells them that she overheard everything and now knows what they’ve been planning to do to her this whole time — they just wanted to use her for sex!

Instead of being disgusted, Penelope saunters forward and rubs the front of Frank’s pants while addressing Debra, ‘You’ve been taking THIS the whole time, Mommy?’ gesturing to his big dick. Penelope then moves to Debra and rubs her breasts, saying, ‘You’ve been sucking on THESE the whole time, Daddy?’ Penelope looks seductively between them, then insists that they BOTH show her how it’s done…

Airtight Invasion, Scene #01

AIRTIGHT INVASION
Teen Uses All Her Holes to DP and Get Revenge on Male Captors

A STATEMENT FROM LENA PAUL:
I’ve never felt drawn to expressing my own personal trauma in my porn because I generally find it a little inappropriate to air your dirty laundry online. However, when Bree approached me to write a story for Pure Taboo, I felt it was an opportunity to share my own experiences in a serious adult piece.

The parameters of my story stem from a recurring nightmare I had after being assaulted. I’d like to offer this project as my #MeToo, in that I wanted to create a story that women who’ve suffered trauma could feel empowered about watching.

A lot of women who watch porn, particularly rough sex scenarios, after experiencing trauma feel a lot of shame about it, despite it being an extremely common fantasy (top 5 actually according to some studies) for women.

It was my desire to thread the needle of empowering women while also placing my character in a seemingly dangerous or degrading setting to talk about how this juxtaposition can feel both complicated and pleasurable for viewers.

I hope, in the end, that Airtight Invasion will continue our industry’s conversations about female empowerment and representation.

SCENE opens one night as a beautiful young woman named Veronica shuts down her family’s house for the evening. Veronica is the daughter of a rich businessman with suspected ties to organized crime and she looks every bit like a mob boss’ daughter, with a full face of makeup and flashy clothing. But, despite her grown-up appearance, Veronica is an anxious girl … pacing through the different levels of her mansion and pleading with her father on the phone. It’s the first time that she’s been left alone for the weekend with only one guard on duty and Veronica does not believe he will be enough to protect her, especially from any of daddy’s enemies. Her father is dismissive, telling her to calm down, she is 18-years-old, and that the guard is a trained professional. He and her mother will be home in the morning. Strutting into the kitchen, she takes a deep breath before agreeing and her father hangs up, leaving her to reflect for a moment in the silence of the room. She opens the fridge, grabs a bottle of water, and heads to the front door. The security guard, Bruno, is standing in front of it as he always does during the night shift. Opening the door, she says goodnight sweetly and offers him the water, which he takes gratefully. It’s hot out. Veronica kisses him on the cheek and thanks him for always keeping her safe, before closing the door. Bruno turns back to his duties, standing on the front steps and sipping his water. He smiles at the thought of the sweet innocent girl.

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Bruno is lying passed out on the front steps, the water bottle open and dripping beside him. Three men, dressed in black, step over him cautiously and open the door. It is not locked. They quietly file into the foyer and down through the various levels of the house to Veronica’s room. She is sleeping in her bed, dressed in silk pajamas. They approach and stare down at her, each wearing black ski masks and breathing hard. The teen girl tosses for a moment before slowly waking up and staring straight at them. Her eyes go wide. ‘You’re coming with us,’ one of them growls. Cut to black over sounds of rustling and resistance.

8 Hours Later. Veronica struggles to see. Something is over her head and she begs the men to remove it. They rip it off, a pillowcase, and, for the first time, she is exposed to her surroundings. She is being kept in a messy storage locker and surrounded by two of the men, who seem almost as anxious as she is. ‘Who are you?’ she mutters. The two men look at each other, before turning back. ‘You are being held until your father pays us what he owes us,’ one says. Veronica lowers her eyes in fear. Her hands are crudely tied together, and she winches at the ropes. ‘Do you think you could please remove these?’ She begs. ‘I’m obviously not going anywhere.’ The men look at each other again, debating what to do, before the other pops open a switchblade and cuts her hands free. ‘You better sit still,’ he meekly warns, ‘or else!’ Suddenly, a door opens and a third man, the eldest of the three, comes strutting in the room with a gun and a cell phone. He sees that Veronica is loose and immediately rushes over, leaving the door ajar, to berate the other men for untying her. They tell him to chill, she promised not to run, and besides … they all know she has nowhere to go. Calming down, the third man gets right into Veronica’s face and tries to intimidate her. He warns her not to cross them or try anything stupid. They are trained professionals. They don’t care how they make their money at the end of the day … and disposal is much easier than ransom negotiations. Veronica clams up and agrees with everything that the man, who is clearly the leader, says. He seems to take great satisfaction from this power trip and tosses the phone into the hands of the other two men. ‘Use this burner, boys,’ he barks, turning back and flashing a sadistic grin at Veronica. ‘Time to call daddy!’

24 Hours Later. Veronica sits slumped in a corner, sweaty and anxious, while the men try to talk to her father. This is the fourth call they’ve placed since the heist, and her dad is sobbing on the other end of the line. He can put together some of the ransom but not everything they are asking for. They are being unreasonable, and he begs for leniency. He hasn’t called the cops, after all. He is playing along. Finally, the leader hangs up on him angrily. This is not going as he had expected. He lashes out at the other two men, waving his gun around, and telling them that they are being too soft on the girl. If they had the balls to send her father a special delivery, it would wrap things up quickly. Veronica shrinks back and whispers that her father is just trying to negotiate. That’s what he does. He’s always been cheap. He has the whole amount. The leader grabs her. ‘So, what the fuck do you recommend we try next, then?’ He yells.

36 Hours Later. Veronica sits quietly in between the two men, as the leader yells into the phone. He is telling the father that he knows about the hidden safe in his office and all the reserves he keeps there. As they argue, Veronica tries to whisper a few key details to help the leader prove his point. The father claims he emptied that safe out months ago. There must be some other way. Without thinking, Veronica stands up and yells ‘Dad, Please!’ This causes the father to panic, hearing his daughter in distress. The leader hangs up the phone abruptly and spins around, as the other two cover her mouth and pull her back down to the ground. ‘I told you not to do anything stupid!’ He yells. Slowly, Veronica removes the hand from her mouth and says. ‘That wasn’t stupid, that was exactly what you needed. He’s nervous. Now, you just have to make him terrified!’

48 Hours Later. The three men sit in a corner, away from the girl, debating over what to do. The two men are becoming very antsy, urging the leader to just get rid of Veronica and abandon the job. She watches and listens closely, biting her lip. The leader argues that they should stick it out, they just need to do something that will really fuck the man up and get him to cough up the whole amount. It needs to be a real threat, no more pussying around. The room goes silent. ‘You should all fuck me,’ Veronica says quietly. ‘Do whatever the fuck you want. Just send my father the evidence. As soon as he sees his daughter like that, he will cooperate with you. No more pussying around.’ The men look at each other in shock. ‘Does she have Stockholm syndrome or something?’ One of them laughs nervously. Veronica stands up, shaking, and starts to under her pajama top. ‘But, you need to make it look rough, make it look you ruined me. All three of you need to be in on it. Inside of me. Airtight. I want this to be done as much as you do.’ She takes off her pants and stands naked before them. The leader flashes a smile and starts to approach her, as the other man chimes in to protest. ‘What if she is playing us?’ The leader tells him to stop pussying around, like the lady said, and get his phone out. It’s picture time. The leader rests his gun on the ground, kicking it to the side, as he peels off his clothes. ‘Grabs the masks,’ he tells the other man. ‘We don’t want to be recognized!’ The three men strip down, put their masks back on, and approach Veronica. ‘Are you ready, sweetheart?’ The leader coos in her ear. She says YES and drops to her knees. BBBG Rough Sex Scene with Airtight DP penetration. Throughout the sex, they take turns taking photos. In the end, the three men give Veronica a full facial and make her pose for a picture. While they laugh and look at the photos (the audience never actually sees the photos), she quietly sneaks to the side of the room where the gun was tossed, grabs it, and points it in their direction. Cut to black as gunshots are heard.

Over a black frame, a voice over of Veronica calling her father. She asks if he saw the photos. He says yes, crying. She tells him this will be the last time they let her speak to him unless he gives them what they want. Through tears, he agrees. She tells him to bring the full amount to a location that will be texted to him. He must come alone. He must not involve the authorities. He agrees. The phone is cut.

A final shot shows the father sitting, with a suitcase. A car pulls up and rolls down the window. It’s Veronica — dressed immaculately. She hushes her father and tells him it’s ok, as a man in a black ski mask gets out of the car and collects the suit case. ‘Will you let her go now?’ the father pleads. As Veronica rolls the window back up, she hears the man pull the trigger and her father fall to the ground. The man in the ski mask gets back the front driver’s seat and takes off his mask. It’s Bruno. ‘Where to now, Miss Veronica?’ he asks politely. ‘To the airport,’ she replies.

Breaking Curfew, Scene #01

BREAKING CURFEW
Teen Girls Taken by Pervert After Staying Out Past Curfew

The scene opens on two friends, as they drive down a dark residential street. Inside the car, they arelistening to music and reminiscing about the party they just left. As they turn off the main road and down a long quiet street, the one in the passenger seat, Amanda, tells her friend to turn off the music and dim the headlights. She doesn’t want her parents to catch her coming home after curfew. When they arrive at the house, Amanda gets out of the car. Her friend asks if she wants her to wait until she gets inside but Amanda shoos her off, not wanting the car to attract attention. She’ll just sneak in the back door as usual. Her friend drives off.

When Amanda goes around to the back, she is surprised to discover it locked. She walks back around to the front. There’s a note pinned on the door from her parents. It reads: Mandy: We told you not to break your curfew again! If the only way you’ll learn is to spend the night locked out then so be it. Mom & Dad. Amanda swears to herself and tries to open the door anyway. It’s locked. She goes under the mat for the spare key. It’s gone. Looking out into the night, she swears to herself again and slowly walks back to the street. Her friend is long gone by now. She pulls her phone out but it’s dead. The only choice she has is to walk back to the main road and try to find a payphone.

As she walks, she begins to feel uncomfortable. It feels like someone else is on the road. She keeps turning around and staring into the darkness. But she sees nothing. Finally, the anxiety makes her stop. She can definitely hear someone this time. She slowly turns around … her fists clenched. Stay back, she threatens, I have mace! The night is still and silent. Breathing hard, she turns back and starts walking again. Just as she begins to let her guard down, someone approaches from behind. She is spun around and her eyes go wide.

Amanda slowly opens her eyes. It is morning. The teen girl has been stripped down to her underwear. She is lying on a pile of hay in what appears to be a barn. As she comes to, she notices another girl slumped beside her. The girl is also in her underwear; her body streaked with mud and a dazed look in her eyes. Hugging her knees, she stares at Amanda. She has been waiting for her to wake up for hours now. Amanda tries to scream but the girl covers her mouth. Be quiet, she whispers, or he’ll hear you! She slowly removes her hand from Amanda’s mouth. When Amanda asks what’s happening, the girl explains that she’s been here for days. This guy has taken them both. He is some kind of lunatic. Amanda asks if he has done anything to them … anything violating. The girl shakes her head. He keeps threatening too, she answers, but he can’t do it. He gets too anxious and leaves. I think he is really fucked up! Amanda asks the girl, who introduces herself as Jaime, some questions and the two girls realize they have a lot in common: they are both 19, live in the same neighborhood, and were taken at night. Just as Amanda turns the conversation back to the man who took them, they hear a noise and shut up. A young man staggers into the barn. He is clean cut and handsome but something about him seems unhinged. His eyes dart all over the barn anxiously as he walks over to the girls. Jaime pretends to be asleep but Amanda stares him down. He leans into her face. You’re awake now, he says. Bravely, she tells him to let them go. Defiantly, he picks Jamie up and drags her to the center of the barn. He tells Amanda all the horrible things he has done to her and what he is going to do to both of them now that she’s awake. As he boasts, he hears something outside and tells the girls to shut up and wait. He storms out. Jamie staggers back over to Amanda.