Tag: Submission

Athena Rayne My Daughter, The Whore

MY DAUGHTER, THE WHORE
FATHER WHORES OUT HIS FIRSTBORN DAUGHTER TO PAY OFF HIS DEBTS

SCENE OPENS on a man sitting in a chair in his living room, casually reading a newspaper as the sounds of sex can be heard from an adjacent room. The man, Roger (Dick Chibbles), doesn’t seem to pay any mind to the noises. Soon, there is a loud grunt from the man in the other room as he cums. A few moments later, a man exits the adjacent room, closing the door behind him. He zips up his fly as he exits the room.

Hearing him, Roger looks up from his newspaper with a wide grin. Everything was satisfactory?, he asks the other man. Oh yeah, as beautiful as always, but….the man hesitates, before continuing,…she did seem a bit…tired today, he finishes. Oh, she did?, Roger asks, subconsciously gripping the newspaper hard enough to crumple the paper. Yeah, the client replies, not as eager as usual.

Roger politely apologizes, he’s so sorry about that, the client can expect a better time on his next visit, Roger says. ‘I will PERSONALLY…make sure that this does not happen again,’ Roger adds with a tone of menace. The man tells him he appreciates it, and Roger walks him out the door. He waves the man off with a smile and closes the door behind him. As soon as the man has gone, Roger turns around, his smile replaced with a look of fury.

He opens the door of the bedroom to reveal a naked girl, Lucy (Athena Rayne), who is on the bed hugging her knees. She looks exhausted and spent, staring off into space. When Roger comes in, she is startled out of her daze and looks at him. What the fuck Lucy?!, Roger asks angrily, standing over her on the bed. He said she seemed…TIRED?, he continues. That guy is one of their best clients, has really fallen in love with her, so they need to make sure to keep him happy no matter what, Roger continues with barely contained rage. ‘I know, I just…I really AM so…SO tired…tired of all of this…he was the third guy today,’ Lucy says wearily. ‘I don’t give a shit if you’re tired! You know how serious our situation is,’ Roger says. She knows, she just…she can’t do this anymore, it needs to stop, Lucy says numbly.

Roger takes a deep breath to steady his anger, closes his eyes for a moment. He sits on the edge of the bed next to Lucy, adopting a more patient caring tone to try to reason with her. ‘Lucy… you know what they’ll do to me if we don’t square things away, right? You don’t want me to go away, right? Then it’s up to you to fix this.’

Lucy nods along with him, resigned. ‘Good, so clean your fucking self up, you look disgusting, and you’ve got another appointment arriving in a few minutes…and you can’t greet a client looking like…this,’ he says, gruffly, his tender demeanor instantly vanishing as he waves a hand disgustedly at her. ‘I raised you better than that, didn’t I?’ he adds. Lucy looks up at him with tired eyes. ‘Yes Daddy,’ she says.

CUT TO TITLE

The doorbell rings and Roger goes to answer it. He smiles as he opens the door to greet his daughter’s latest client, John (Tommy Pistol). The client says hello coldly, not smiling. Roger invites him in. So this is his first time here right? Roger asks amiably. Yes, the man says curtly. Ok, so he’ll explain the ground rules, Roger says.

Cut to Lucy’s room as Roger explains the ground rules, muffled behind the door. Lucy is almost done cleaning up. We watch as she finishes reapplying her makeup in a compact mirror and puts on some sexy lingerie. She looks good and well put-together, but her eyes betray an exhaustion that is soul-deep. She sits down on the edge of the bed and stares off into space.

Cut back to Roger and John. Roger has just finished explaining the ground rules. So does he understand?, Roger asks. The man pauses. Yes, everything’s clear, he says quietly. ‘Also, I should mention that there are some…activities…I’m interested in that may…not EXACTLY be what she’s used to…’ John says. ‘I’m sure there’s something that we can work out,’ Roger responds.

Cut back to Lucy in her room, who is still staring blankly, lost in thought. There is a knock on the door, which startles her out of her reverie. She shakes her head, trying to pull herself together. Just one sec, she calls to the person who knocked on the door. Lucy looks in the mirror. She takes a deep breath, and with effort, her blank expression of exhaustion turns to a seductive, flirty expression, as her eyes brighten and she pouts her lips. Where she was weary and spent a few moments ago, she now appears younger, youthful and vibrant: Lucy’s game-face is on. She lies down on her stomach on the bed, resting her head in her hands as she smiles up at the door. She kicks her legs absentmindedly behind her in an energetic, innocent way. She tells the visitors to come in.

Roger opens the door and invites John in, introducing him to Lucy. John says hello stiffly. ‘You’re just in time, I was starting to get lonely,’ Lucy says flirtatiously. ‘There’s been a…change in plans Lucy,’ Roger says, closing the door so that the three of them are in the room together. Lucy’s eyes widen in horrified shock. ‘What are you…?’ she asks.

Well, John has asked him to stay…and watch, Roger says casually, without a hint of trepidation in his voice. ‘Yes, I love an…audience, and there’s really no better audience than a loving father watching his precious daughter get defiled in front of his very eyes,’ John says.

Roger coughs to clear his throat, clearly a bit put off by the request but trying his best to keep it hidden. That’s not a problem…IS IT, Lucy?, Roger asks in a vaguely threatening tone. Lucy hesitates for the briefest of moments before she buries her horror down deep.

No…of course not, she’s up for whatever he wants.

The Date, Scene #01

‘Being your slave, what should I do but tend
Upon the hours and times of your desire?
I have no precious time at all to spend,
Nor services to do till you require.’
– William Shakespeare

THE DATE

We watch a beautiful young woman (Emily Willis) in her apartment getting ready for the evening. She showers, lotions up her body, puts on expensive perfume, and dresses — first into expensive black satin lingerie, stockings, garters, and heels and then slipping into a beige rain jacket. She looks like she just walked off a runway. The camera voyeuristically watches her, almost like a reverse striptease.

CUT TO the woman, in her jacket, bare legs and heels, as she exits her building and steps into a black town car. A man waiting for her shuts the door and gets into the driver seat.

CUT TO a car mount shot, looking in at the silent driver in a black suit and ray bans, and the girl who sits in the middle of the back seat. To her right is a very handsome man (Danny Mountain) in an expensive suit. A second man (Charles Dera), equally handsome and dressed the same, sits on her left.

CUT TO the road. As they drive, the man in the back asks the woman if she is ready. Obediently, she says ‘yes.’ He asks if she will give herself over completely. She says ‘yes.’ He strips her out of her jacket, exposing her bare skin. She quivers. He takes a brown paper bag and puts it over her head, before holding her arms to keep her still. They ride for a moment with her body writhing. The men look cool and collected, staring straight ahead. All you can hear are the light gasps and moans from the submissive woman as she is being driven, eagerly awaiting what’s to come.

‘My only submission is complete submission.
I will kneel before you, naked and unashamed,
My eyes down, my chin up.

‘I will do as you say and be rewarded.
Always saying please and thank you,
Accepting my punishments like a good girl,
Never touching myself until you have given permission,
And always swallow, never spit.

‘I will surrender to your will
And always remember who I belong to.’

Girls Night, Scene #01

GIRLS NIGHT
Teen pushed into Sleepover Sex with Brother & Sister

Scene opens on a beautiful summer day as 18-year-old Kacey drives over to her friend Andi’s house. A backpack, board games, and pillow are tossed in the back seat and the radio is on. Kacey and Andi have been best friends since childhood and are practically inseparable … even after Kacey’s family moved out of town. Now, it’s the final weekend before both girls move out of state to attend different colleges so Andi has invited Kacey over for a ‘girls’ night’ sleepover … for old times sake.

When Kacey arrives at the door, Andi greets her enthusiastically. The BFFs giggle and hug before grabbing Kacey’s things and heading inside. Andi seems slightly unhinged, looking over her shoulder as she closes the door. The girls settle into the living room and start to catch up when their conversation is cut short by Andi’s step-brother Todd returning home. Kacey has always been very wary about Todd. He was the black sheep of Andi’s family, unemployed, in and out of trouble, and very aggressive. He had moved back in this Summer after a stint in the army and Andi had been very quiet about it.

Now, the moment the brother walked in the room, Andi’s behavior changed dramatically … from outspoken and giddy to nervous and reserved. Kacey notices this but, before she can react, Todd slides on to the couch and crashes their conversation. Throughout the dialogue, he keeps putting his sister down in front of Kacey and making lewd jokes at her expense, while being very touchy and flirtatious at the same time. Andi takes it without a word, staring blankly at her best friend. This is not a normal way for siblings to treat each other and the situation makes Kacey feel very uncomfortable, especially when she catches Todd leering at her too.

Later that night, after an evening of board games and makeovers, Kacey and Andi undress to get ready for bed. As the girls strip out of their clothes, Kacey notices some strange markings around one of Andi’s wrists. When she asks about it, Andi shrugs it off and quickly changes the subject. An awkwardness hangs in the air around them until Kacey breaks the silence by asking to use the shower. Her best friend seems relieved and grabs her a towel.

As Kacey rinses off, she can’t help but feel uneasy. She leans up against the wall and scrubs herself, lost in thought. You can tell she’s thinking about Andi. She turns the shower off and pulls the curtain back in time to see Todd darting out. He had clearly been in there watching her. Kacey quickly grabs her towel and wraps it around herself.

Back in Andi’s room, Kacey tries to explain what happened but Andi is quick to dismiss her, making up excuses about how he must have accidentally walked in. She tells her BFF that she’s tired and the two girls turn out the lights.

In the middle of the night, Kacey wakes up to strange noises. Slowly rolling over, she realizes that Andiand Todd are having sex aggressively on the bed beside her.

Don’t Talk to Strangers, Scene #01

DON’T TALK TO STRANGERS
School Girl Taken and Fucked by Deranged Married Couple

The scene opens on Amy, a bright and happy 18-year-old high school student, as she heads home from school one afternoon. The camera lingers on her while she walks – wearing her school uniform, listening to ear-buds, and carrying a book bag innocently over her shoulder. When she passes a homeless man, she pauses and reaches into her bag, handing him her lunch leftovers. The man thanks her and she tellshim to keep his chin up before putting her buds back in and walking on. You can tell the girl is a very good Samaritan.

As Amy continues, she spots a car pulled up along the side of the road. A woman is leaning up against it. When she sees the girl approach, she pulls out her phone and starts to mutter to herself … frustrated. Amy stops and regards the woman, who is immaculately dressed and very beautiful. ‘Are you ok?’ she asks. The woman stops and, sighing, tells the girl that she’s lost and can’t get her GPS to work. She and her husband are late for an engagement and desperately need directions. Amy peers into the car and spots the woman’s husband in the front seat. He is dressed in a suit and politely waves at her. She looks back at the woman and asks where they are going, maybe she can help point them in the right direction. The woman tells her that they are attending a function at the convention center — but she lost the invite with the address and their signal dropped. Because they are out of towners, they simply don’t know where to go. Amy begins to give them directions but as she explains where to go, the woman sighs again and mutters that her mind is like a sieve. She’s not possibly going to remember. Amy stops and tries to think of another way to explain, as the woman subtly glances back at her husband. ‘What if you were to get in the car and take us there?’ The woman asks. ‘My husband and I would be happy to pay you for your troubles and it would really help us out.’ Amy, knowing that she isn’t supposed to do this, glances in at the husband again. He looks perfectly normal. ‘I would probably need to ask my parents.’ She slowly says. She looks back up at the woman, who calmly asks how old she is. When Amy replies that she is eighteen, the woman smiles and laughs. ‘If you’re eighteen then why would you need to ask your parents? You’re a grown up!’ Amy laughs along meekly. The woman asks her name and Amy tells her. ‘Well Amy,’ the woman reiterates. ‘It would really help us out if you would just get in the car.’ Amy takes a long pause before agreeing. The woman opens the back seat and Amy climbs in. Then, surveying the area and kicking dirt over the footprints, the woman walks back to the passenger side and gets inside. The car screeches off.

Two Days Later.
The camera comes into focus as Amy slowly lifts her head from her lap. She is curled up in a ball in an empty room. Her bag is gone, her ear-buds are gone, and her school girl uniform is dusty and dirty. Her hair is tousled and her face is streaked with sweat. She has a terrible headache. A bucket sits close by, alongside a toothbrush in a glass of water, and some remnants of food. She wipes her eyes and starts to pick at the food when a door opens. It’s the couple. No longer in formal wear, they step towards her in casual clothes and latex gloves. ‘You’ve eaten all your food this time,’ says the husband. ‘What a good little pet.’ The teen looks up at him in cold silence. She asks when she can have her call with her parents, the one they promised. The woman smiles. ‘I told you already Amy, you can have your phone call when you make me cum.’ The couple laugh as Amy slumps back down.

Four Days Later.
Amy runs around the empty room, banging on the walls. She unbuttons the last of her blouse and tosses it in the corner. The room is very hot. Sitting down defeated, she calls out to the couple that she is ready for them now. She’ll do whatever they want. She just needs some air. She waits desperately for a reply but it never comes and she collapses into a heap on the floor.

The Psychiatrist, Scene #01

THE PSYCHIATRIST
Troubled Teen Mom Confronts Daddy Issues with Sadistic Shrink

SCENE opens on an close up of Sheila’s face, as she staggers down the road. The 19-year-old girl looks dazed. Her face is sweaty. Her clothes are wet and loose, hanging off her petite frame, and she is clutching a bundle tightly against her chest. She comes upon a shed and, looking over her shoulder to make sure no one is around, carefully places the bundle between some rocks at the back of the structure. A WORM’S EYE angle shows her staring down at it. She slowly starts to cry. Wiping her tears, she composes herself and walks off. As she crosses the front of the shed, a man steps out and catches her. Surprised, he asks if she is OK. Not wanting to get caught, she runs off without saying a word, wiping the frame and leaving the man to wonder what she was doing behind his shed. He walks around the back to take look and, after a moment, lets out a scream.

Close up of Sheila sitting stone-faced. She is handcuffed to a chair while a police officer stands silently behind her. A well-dressed man enters the room and approaches her. Putting his hand on her shoulder, he tells the officer to remove the cuffs and wait outside. When the officer exits, the man slowly removes his grip and sits down on a chair opposite Sheila. They survey each other for a moment before the man asks if she knows who he is. She has no reaction. The man introduces himself as Dr. Powell. He explains that he is a psychiatrist who has been appointed by the court in her case. She says nothing. Taking a deep breath, he asks if she knows why she is here. When she continues to be silent, he picks up his notebook and reads that she is here because of the June 7, 2017 incident involving her baby. Sheila looks away, to hide her reaction, and mutters something incoherent. Dr. Powell pulls his chair a little closer. He tells her that she has been charged with attempted homicide and, since she is 19-years-old, she is going to be tried as an adult. Her attorney, a public defender, is trying to build a case to prove it was involuntary abandonment. Right now, that defense is greatly dependent on this session. The psychiatrist’s role will be to examine her and provide testimony about her mental state. His recommendations will provide the legal evidence that her attorney is hoping for — proof that she was not of sound mind when committing the act.

He asks if she knows the difference between voluntary and involuntary? Turning to face him for the first time, she says blankly ‘Yes, I know the difference very well.’ Sensing her resistance, Dr. Powell sits back in his chair and smiles. ‘Involuntary is an unintential act committed by someone who has no spite or anger and no intention to cause harm.’ He speaks condescendingly. ‘It is very difficult to prove, especially in this kind of case, as I’m sure you know. But that’s why we’re here today … so, why don’t we start by you telling me what happened.’ Sheila turns away. Dr. Powell licks his lips. ‘How exactly did you get pregnant?’ He asks. She says nothing. He stands up, adjusting himself subtly. ‘Was it one of the boys from your school?’ He asks, glancing at his notes. ‘Oh wait … you don’t go to school. You haven’t gone to school since ….’ Sheila cuts him off and tells him that she’s homeschooled. Walking around her, Dr. Powell asks her to elaborate — what was it like to be taught by your parents instead of a regular teacher? Did it make you feel isolated to be away from other kids? Sheila stares down at her feet and tells him she wasn’t taught by her parents. She was taught by her poppa. Dr. Powell stops walking. He licks his lips again, trying to contain the smirk forming on his face. ‘Was your father a strict teacher?’ He asks. Sheila looks up at him. ‘My poppa is everything.’ She replies and begins to cry.

Swapping Daughters, Scene #01

SWAPPING DAUGHTERS
PARENTS USE EXCHANGE PROGRAM TO SWAP DAUGHTERS AND START FAKE FAMILY

SCENE opens on a family of three, Mr. and Mrs. Valentine (Dale and Gina) and their daughter Becky, in the driveway of their house. To their side a parked ride-share car and its driver wait with the trunk open. The family is going over the final preparations for their daughter’s trip. The daughter is dressed to travel, with two suitcases and some travel bags at her feet, and is loading them into the trunk of the car all the while being fussed over by her attentive parents who are insistent on making sure she’s prepared. While the father lectures her on travel safety tips, the mother sporadically asks about whether she’s remembered to pack this or that. Even after all the bags are packed and the trunk door closed, the chatter continues until the daughter insists that she’s going to miss her flight if she doesn’t leave soon, and her parents begrudgingly stop fussing over her and let her get moving. ‘But not until we get one last hug as a family,’ the father insists, and the daughter happily obliges. She’s going to miss them over the next two months, she says as she hugs them tight, but she hopes they have a good time with the new exchange student. The couple exchange a knowing glance, unseen by their daughter, and say they’re sure they will. The daughter says her final goodbyes, and hops into the passenger seat of the car. She waves to her parents through the window, and they back to her, as the car starts to pull away. ‘It’s really happening,’ the father says discreetly to his wife as he waves, ‘it still doesn’t feel real.’ ‘I know,’ the mother agrees, and wistfully asks her husband, ‘…do you think she’ll be okay?’ The father puts his other hand on his wife’s back and rubs it reassuringly. ‘We can’t think about that now,’ he says as he continues to wave, ‘what’s done is done. She’s not our problem to worry about anymore.’ With the car turning out of sight, he drops his waving hand and turns to his wife, clasping her hands. ‘Now come on, we have a lot to do before our new daughter gets here.’ As he says the words ‘new daughter’, they both look at each other with nervous excitement, the expression of two people about to do something they’ve never done before but are clearly looking forward to. They turn to head back to the front door together, holding each other at the waist with an excited spring in their step.

CUT TO TITLE PLATE

The couple emerges on the inside of their house from the front door, but it’s clearly a different day and they are neither alone nor empty-handed. They are helping an 18-year-old girl Cassie with her many travel bags and suitcases, and all three are chattering excitedly – about how she’s going to love it in the States, about how she loves warm weather and they get so much less of it in Canada, about what food she can’t wait to try, etc. When all the bags are finally inside and the front door closed, Mr. Valentine shrugs and gestures around himself a bit awkwardly. ‘Well Cassie, welcome to your new home!’ he gushes. ‘Yeah! Well, for the next two months, that is,’ Cassie says excitedly, as the Valentines exchange another knowing look between each other

The Valentines seem nervously eager to impress Cassie, the same way a goofy teen boy might try to win over his date’s dad. They tell her about all the amenities of the house, explain to her their ground rules (they insist there aren’t very many – they try to be ‘cool’ parents, after all), and mention that they like Swapping daughters Parents Use Exchange Program To Swap Daughters And Start Fake Family to leave plenty of time for family activities and bonding, and they hope she feels welcome to join them. Throughout, Cassie is endeared by their well-meaning attitude. The whole arrangement seems like a dream come true! She can’t wait to go see her room and unpack – Mrs. Valentine helps her with her bags up the stairs, while Mr. Valentine calls out that dinner’s at six and he hopes she likes hamburgers!

CUT to a few days later, Cassie is in a chipper mood as she emerges downstairs to find Mr. and Mrs. Valentine in the living room. They are in their pajamas and sipping coffee when she arrives, with Mrs. Valentine reading a book while Mr. Valentine is on his laptop. ‘Good morning, Mr. and Mrs. Valentine!’ Cassie exclaims. ‘Nuh uh uh!’ Mrs. Valentine says sweetly, ‘What did we say about that ‘Mr. and Mrs. Valentine’ stuff?’ Cassie giggles and rolls her eyes – she knows they said she can call them mom and dad while she’s staying here, it just feels a little weird. But she’s warming up to the idea.

The Valentines inquire about Cassie’s plans for the day, and gush when she says she’s meeting some friends at the mall – they’re so proud that she’s managed to make friends in so little time here, but of course who wouldn’t love to spend time with a girl as sweet as Cassie. She should feel welcome to invite them over to the house at any time, any friend of Cassie’s is a friend of theirs! Cassie blushes at all the attention. She excuses herself and is about to leave for the mall when she remembers to ask – ‘Oh, by the way, has the internet been down or anything the past couple of days?’ No, they answer, not that they know of, anyway – why? Cassie remarks, a bit let down, that her parents promised they’d call and she hasn’t heard from them once since she got here. The Valentines try to console her – they’re sure she’ll hear from them soon, they’re probably just busy. Parents are supposed to worry about their kids, not the other way around, she should forget about it for now and just enjoy her trip. They manage to cheer Cassie back up by insisting it’s probably nothing. She thanks them, about to call them Mr. and Mrs. Valentine again, and stops herself. ‘I mean, mom and dad,’ she grins and says cheekily, and they look positively delighted to hear the words. In good spirits, she leaves for the mall.

Once she’s gone, Gina turns to Dale and says that they’ll have to tell her soon. Dale nods but says he thinks they should still wait a couple more days. They’ll have to find the right time. Gina says she thinks she’s going to fix herself a snack and gets up off the couch, does Dale want one? Dale says absolutely. Gina leaves the room, and Dale continues working on his computer. Suddenly he gets an incoming Skype call on his laptop – we can see it’s from their daughter, Becky. Dale makes a pained face, sighs, and then moves his mouse over the red button to not accept the incoming call and clicks, ending the ringing. He looks down and sees that now the icon appears that shows she’s typing something. A message flashes on the screen, which reads: ‘Mom, dad, please pick up!!! These people are crazy, they keep saying you made some kind of weird deal with them’. Then another message flashes, ‘PLEASE, answer me, I wanna come home, these people are sick!!!’ Dale sighs, and then starts moving his mouse. A third message flashes, ‘PLEASE, I can see you’re online, PLEASE ANSWER ME!!!!’ Dale right-clicks on the name and selects to block contact. The message appears, are you sure you want to block this contact? Dale selects Block and then closes his laptop with a sigh.

CUT to two days later, in the late evening. Cassie and the Valentines are playing a family/party game on their phones together in the living room. It’s clear they’re all having a great time together. After the round, Cassie yawns and puts her phone on the coffee table. She remarks that it’s getting late, and she was planning on meeting her friends early tomorrow so she thinks she’ll head to bed early. ‘Actually,’ the Valentines say as they look at each other then back to Cassie, ‘before you go, there’s something we need to talk to you about.’ They pat the seat in between them as a gesture for Cassie to come sit next to them both. Cassie looks taken aback but acquiesces. Once seated, the Valentines try to ease in to the topic – they’ve so enjoyed having her here, they all get along so well, it’s been the best weeks of their life… Cassie looks confused and upset, they’re talking like they’re about to kick her out – did she do something wrong? Nervously they try to calm her down, no, in fact it’s the opposite, they want to offer her a permanent home here, as her new parents. Cassie looks relieved, and says that she’s loved being here too, but she of course can’t accept their offer – she has a life back in Canada, friends, a home and a family. Mrs. Valentine takes a breath and explains that actually, she doesn’t. Cassie looks confused, and Mr. Valentine steps in to explain that Cassie’s parents made a deal with them to give Cassie to them. ‘Cassie, sweetie… they don’t want you anymore.’

Still seated, Cassie looks shocked and upset – what is he talking about? What does he mean a deal? The Valentines explain to her that Dale has certain… needs… needs he couldn’t get from his home life with Gina and their daughter Becky. But Gina wanted to help, so together they searched the internet and discovered a small group of like-minded fathers with similar problems. That’s how they met Cassie’s parents, and together they came up with a solution to help both families. They made a deal to swap their daughters. The two families convinced their daughters to sign up for a cultural exchange program so they could ease them into the idea of a new family after the swap had already happened. That way there would be no turning back.

None of this is making sense to Cassie, who shakes her head hurt and confused. What does ‘swapping’ their daughters help? What needs are they talking about? Gina explains that Dale was feeling unnatural urges towards their daughter Becky. Urges he knew was wrong. He knew he couldn’t act on those urges, but the temptation was too strong. It was actually Cassie’s dad’s idea, for them to swap daughters so they could each start a new ‘family’, a perfect family like the one they always wanted. A family they could fuck.

Cassie gets up from the couch, disgusted. What kind of fucked up plan is that? This whole thing is sick, they’re both sick! Mrs. Valentine looks distraught, and Mr. Valentine speaks out uncharacteristically angry in defense of his wife. ‘Now stop that, Cassie, look how upset you’re making your mother.’

‘She’s not my mother!’ Cassie shrieks. ‘And you’re not my father! And you’re not going to FUCK me, you disgusting creeps! I’m getting my stuff and I’m getting out of here and going HOME!’ But the Valentines try to reason with her – she doesn’t have a home to go back to. Her old family gave her up, they don’t want her anymore. And because she’s over 18, they don’t legally have to take her back in. He and Gina are the only family she’s got now, so she can either agree to their terms or try her luck on the streets. Defiantly, Cassie pouts that she wants to call home. Mr. Valentine sighs defeatedly – they won’t want to talk to her. But Cassie insists. Mr. Valentine hands her her phone from the coffee table and Cassie rapidly types in a number and dials. After a couple of rings, a grown man’s voice answers. ‘Dad,’ Cassie starts, ‘Dad it’s me, I-‘ but the voice cuts her off. ‘Who is this?’ Cassie tries to tell the voice that it’s her, it’s Cassie, but the voice nervously says he doesn’t know a Cassie, clearly lying. She tries one more time but he cuts her off saying ‘L-look… whoever you are, I don’t want you bothering my family, we’re very happy together. Just… don’t call here again.’ Cassie tries to say something more but the man hangs up.

Cassie is unable to move, stunned into silence clutching the phone to her ear. After a few seconds, her arm falls to her side, still clutching the phone loosely. Dale slowly gets up from the couch and gently takes the phone out of her hand, putting it back on the coffee table. ‘See Cassie?’ he says sympathetically but with an I-Told-You-So vibe. ‘Those people aren’t your family anymore. We are. And we care about you.’ Cassie looks at him bitterly – ‘you just want to fuck me’, she says through gritted teeth. Dale looks hurt, that’s not true. He wants to love her, to be a family to her. He just wants them to be a closer family than most. Gina points out that it took her some time to understand it too, but she’s come to accept it. She thinks Cassie could too.

There is a look of defeat on Cassie’s face – she doesn’t want to be homeless, she says. She wants to stay. The Valentines look relieved, and say of course she can stay. She’s their daughter. They’ll take great care of her. As long as she understands that means they get to fuck her too. ‘Yes,’ Cassie says defeated. ‘Yes, what?’ Mr. Valentine says coachingly. ‘Yes… daddy,’ Cassie says obediently. Good, Mr. Valentine says with satisfaction. Of course, they still have to deal with the whole business of Cassie’s little tantrum. Good girls obey their parents, and if Cassie is going to be their daughter she has to learn to obey. He tells Cassie to pull her pants down and bend over his knee to get punished. ‘…yes, daddy,’ Cassie says obligingly as she timidly strips out of her pants and walks over to assume the position.

Future Darkly: Don’t Panic!, Scene #01

FUTURE DARKLY – DON’T PANIC
COUPLE MUST TRADE SEX FOR SURVIVAL AFTER THE WORLD ENDS

SCENE opens on a couple, Jacob (Logan Pierce) and Katlyn (Elena Koshka), walking hand in hand down a modern city street. They’ve just left dinner, and, through their small talk, it is revealed that the pair recently moved in together. They come to a corner and pause to share a tender moment. While they kiss, a shower of satellites streaks the sky behind them before tumbling to earth and exploding. The couple barely has time to react before everything buzzes and fades to white.

CUT TO TITLE PLATE

SIX WEEKS LATER

Katlyn slowly opens her eyes. She is huddled under a tarp and wearing the exact same outfit as before, except it is now filthy and soiled. Her once pretty hair is greasy and pulled back with string. Dirt streaks her face. As she pulls back the tarp, she realizes that her boyfriend Jacob is missing. The girl freaks out and jumps to her feet, looking for the wood plank she keeps by her side. As she grabs it, Jacob comes around the corner with a jug of water. He is also wearing the same outfit, caked with dirt and filth. He is unshaven and carrying a crude piece of metal. Katlyn rushes into his arms asking if he found food but her boyfriend urges her to be quiet. There is somebody up the road and he isn’t sure if they’re good or not. Katlyn starts to frantically gather their things. ‘He might not be bad. He might know something, like the woman who drove us back in the beginning.’ He continues. Katlyn asks him what he looks like. He looks pretty normal, Jacob replies. They decide to go approach him.

CUT to inside a derelict building. The couple approach the window and a man’s shoulder steps into frame. He is the man Jacob saw earlier, another drifter. The couple wave their weapons above their arms and tell the man they mean no harm. They want to know if he has any information. The man hesitates before slowly sticking his head out of the door. ‘You tell me first,’ he says. The couple look at each other before Jacob replies that they heard it was an asteroid. Nothing works. No GPS, no internet, no electricity. The man pauses before replying ‘I heard it was a nuclear attack, but I’ve only met 13 other people.’ He pauses, before adding ‘I also know where some water is.’ Katlyn jumps in, demanding to know where. The man sticks his head out a little further and says he’ll tell them but only if they give him some of their own water first. Jacob clutches the jug tightly. He weighs his options before Katlyn urges him to do it. Jacob agrees, and the man pulls out a dirty plastic container. Jacob fills it up and the man drinks eagerly, before telling them there is a well two miles up the road. He disappears inside, and the couple turn to keep walking.

CUT to the middle of nowhere. The couple walk through the blazing sun, with nothing in sight. Their jug is empty, and both are growing desperate. They argue about the water before coming upon a body lying in the road. Looking down on it, they root through the person’s pockets but only find a dead phone.

Katlyn pleads that she is hungry, and Jacob tells her that water is more important. They need to keep walking. He tosses the phone in the dirt.

SMASH CUT to a gravel road, as the couple come up a large empty house. ‘It’s probably been raided already,’ Jacob says but Katlyn urges them to check. They go to the front door and enter.

CUT to inside the house. It is still. There are no lights on, except for the natural light streaming in. Jacob tells Katlyn to wait while he checks the rest of the house. While she stands alone nervously, she starts to look around. A coffee cup rests on the table. It is moldy inside. She spots a pencil and snatches it up, stuffing it in her pockets. Then she sees something that shocks her: a flickering light coming from behind a closed door. She screams out to Jacob, who rushes back in.

‘The whole house has been stripped,’ he says. ‘Like I told you.’ Katlyn points to the light. The couple stare in shock. They haven’t seen a single light on since it happened. Guarding his girlfriend, Jacob slowly opens the door to reveal a library with several oil lamps burning. In the middle of the floor, is a pile of tuna cans.

The couple’s eyes go wide, and they pounce on them. This is more food than they’ve had in weeks. They try to chew them open and bang them against the floor and with books to open them. Katlyn even tries to use the pencil she found in desperation. Nothing. They collapse in frustration as a rifle barrel slowly slides out from behind a curtain in the corner of a room. A man, dressed in clean tactical clothes and greased back hair steps out. He tells them to freeze.

Jacob shields his girlfriend and begs the man to put his gun down. They are not bad people, they are just passing through. The man asks them what they know. Nervously, they reply that it might be an asteroid or a nuclear attack. There is no GPS, internet or electricity and there is supposed to be water near here. They think it’s been 2 or 3 months, but they aren’t sure. The man studies them before slowly putting the gun down. ‘There’s a well at the end of my property,’ he replies. Jacob asks if they would be allowed to fill up their jug. The man smiles and sits down. ‘I believe it was Kessler Syndrome,’ he says matter-of-factly. Katlyn asks if he is a doctor. ‘I was a high school science teacher,’ he replies. There is an awkward silence, as the couple stray towards the door. ‘It was a theory proposed in the seventies by NASA,’ he continues. ‘The idea that if enough space objects were to collide, the debris they would cause would litter our atmosphere with so much junk that all the satellites would come crashing down.’ Katlyn asks her boyfriend if that is true. He shrugs his shoulders. ‘No telecommunications, no electrical grids, no laws.’ The man adds, laughing to himself. Jacob asks again if they can use his well. The man reaches into his pocket and pulls out a can opener. ‘How about you help yourself to these cans, as well?’ Katlyn freaks out and reaches for the opener, when the man pulls his hand away. ‘I’ll give this to you if you let me fuck your pussy!’ He says, putting the opener back in his pocket. Jacob lunges at him but the man picks up his gun. ‘I will defend myself,’ he threatens. Jacob tells him that his girlfriend is not for sale. ‘It’s a trade,’ he says calmly. ‘Just a few minutes in exchange for a whole week’s worth of food.’ Jacob stares down at the food. ‘I haven’t been with a woman in a long time, I’m sure you can understand my position.’ The man argues. He stares lustfully at Katlyn. Jacob turns and starts to debate doing it with his girlfriend. She is stunned at his attitude. How could he even be contemplating this idea? He tells her to not panic. Just calm down and listen … food is getting harder to find. He’s going to give them water too. Life isn’t like it used to be. Katlyn slaps her boyfriend. He pleads with her to think about them both, not just herself. She can close her eyes. She can get through it. As he speaks, Katlyn gradually realizes that her boyfriend is right. They need the food. Old rules don’t apply. She must do it. ‘If you give my boyfriend the cans and the opener first, then I’ll do it,’ she negotiates. ‘He won’t leave without me.’

The man smiles. He tells her to strip while he carries the gun back to his curtain and tucks it out of view. He pulls out a single wet wipe. ‘Clean yourself down there first,’ he says. Katlyn nervously wipes her vagina while he inspects her. ‘Wait outside,’ he orders Jacob. Jacob looks guilt-ridden at his girlfriend before she tells him to go. She will be out soon. He stuffs the cans into their tarp and leaves, closing the door. Katlyn turns back to the man, tells him she is ready and then starts sucking his dick.

Mr. Nice Guy, Scene #01

MR. NICE GUY
Innocent Teen Goes Home with Stranger for Extreme Rough Sex Hookup

SCENE opens on Amy, an 18-year-old girl, as she crashes through the door and into a hallway, laughing and nearly losing her footing. She is closely followed by Eric, a 25-year-old man, who catches the teenager and steadies her on her feet, laughing alongside her. The happy pair met that night at a club and instantly hit it off, flirting and dancing until the wee hours of the morning. When Eric invited Amy back to his house, she eagerly accepted and now here they are. Slightly embarrassed from the wipe out, the girl looks down the darkened hallway of her hookup’s place. It’s filled with strange statues that catch her off guard. ‘What are you … some kind of serial killer?’ she asks giggling, as Eric kisses her neck and guides her down the hall, brushing off his art collection as a hobby. He opens the door to his master and invites her inside. ‘See, no statues in here, I promise!’ She walks inside, and he shuts the door, his expression dropping completely.

Inside the bedroom, the pair start kissing and making their way over to Eric’s bed. In between kisses, they recount their night together and what a great coincidence it was for them to meet. Even though they’ve only known each other for a few hours, it feels as if they’ve known each other for years. You can tell that Amy is totally smitten by Eric, who is being sweet and goofy with her. She coyly asks if she can suck his dick and, smiling, he stops and takes her by the hand. ‘Before we do anything,’ he says. ‘I need to make sure we’re honest with each other. I’m guessing you’re not twenty-one yet, are you? You seem a little young to be at that club.’ Amy blushes and admits that she just turned eighteen, using her sister’s ID to get in. It was the first time she’s ever done anything like that before. Eric laughs, shaking his head, and asks if she even ever had sex before. Amy drops his hand and, trying to act sexy and mature, tells him she’s had three boyfriends and fucked two of them. ‘I’m really good at sex,’ she says awkwardly, leaning back in. They kiss again for a few minutes and she starts to unzip his pants when he stops her again. ‘Have you ever had rough sex before, Amy?’ He asks calmly. She looks a bit taken aback but, wanting to seem cool, tells him ‘sure, I’ve done that.’ Eric smiles and puts her hand back over his crotch. ‘Good,’ he says sweetly. ‘Because I really like you!’ Amy eagerly pulls out his cock and looks up at him. ‘I like you too!’ she says before he shoves his cock deep down her throat.

This descends into the BG ROUGH SEX scene. Throughout the sex, Eric takes a dominant role into making Amy submit to a range of rough sex positions. His attitude switches from being a nice guy to a total sadist: verbally humiliating and domineering the girl. Despite his change in behavior, Amy remains eager to please him and consents to every act but, as the sex goes on, you can see her being pushed further and further out of her comfort zone by Eric’s rough demeanor. Likewise, the further he pushes her, the more Eric seems to get off.

Crossing Borders, Scene #01

On the final leg of their road trip, an All-American couple (Adriana Chechik) and Adam (Chad White) are unexpectedly detained at the border by a sadistic officer (Tommy Pistol). When the officer discovers drugs on the boyfriend, he orders a cavity search of the girlfriend to be conducted by the boyfriend himself. Not wanting them to be arrested, the shocked girlfriend agrees to comply with the officer and allows a strip search. As the horrified boyfriend removes her clothes and fingers her asshole, he becomes hard despite himself and this is just what the officer was hoping for. He berates the boyfriend for his immoral feelings and coaxes the girlfriend into agreeing to fuck the boyfriend for their freedom, while he watches and ultimately joins in.

The Allowance, Scene #01

A beautiful but naive girl (Elena Koshka) lets her boyfriend talk her into posting suggestive photos online to find a sugar daddy, believing this will contribute to their dream of moving in together. The girl begins correspondence with a wealthy older man (Derrick Pierce). He wants her to call him Daddy, and in exchange, he provides her with an allowance. The couple’s plan is working, and it’s bringing them closer to their financial goals. The boyfriend helps to gradually push the girl out of her comfort zone. At first, she only exchanges photos and messages with the man, but soon he asks to meet in person. She nervously prepares for the night, encouraged by her boyfriend to dress provocatively. Once the girl meets her sugar daddy face to face, he makes her an offer she can’t refuse to have sex with him. Stifling her tears, the innocent teen excuses herself to the bathroom. She calls her boyfriend and breaks down crying as she tells him she’s been asked to cheat. Rather than react with jealousy, he tells her to do it, especially once he receives the transfer of funds. The girl dries her eyes and returns to the man who covers her allowance… letting him do whatever he wants to her, as per the agreement.

The Babysitting Job, Scene #01

THE BABYSITTING JOB:
18-Year-Old Babysitter Tricked into Giving Away Virginity

ORIGINAL SCENE TREATMENT (excerpt)

Scene opens on an 18-year-old school girl named Cassidy, as she arrives home from class. She entersthrough the gate, a backpack draped loosely over her shoulder, and grabs the mail off the porch. Riflingthrough the envelopes, she discovers a flyer that reads: BABYSITTER WANTED, FEMALES PREFERRED,NO EXPERIENCE NECESSARY, GREAT FIRST JOB. She looks it over before noticing her mom out in thegarden. Excited, Cassidy runs up to show her the flyer. Without paying much attention, her mom encourages her to call the number — after all, this is exactly the type of first job she needs to prepare herself for becoming an adult. With a roll of the eyes, Cassidy turns away and places the call. Scene cuts to an ECU of a man’s mouth as he answers the phone. Cassidy asks about the flyer. In a calm, gentle voice, the man replies that he and his wife have a young son and are looking for a babysitter. He asks how old the girl is. She replies that she is 18. The man bites his lip in hesitation. Sensing his reluctance, Cassidy tells him that, while she is still in high school, she is very responsible and great at taking care of people. She won’t let him and his wife down. As she says this, she flashes her mom a knowing look. The man smiles and invites her to come over to the house on Friday night for a trial run. He’ll text her all the information as soon as he confirms with his wife. Cassidy hangs up the phone and proudly tells her mom the good news: she got the job!

Several days later. Cassidy knocks on the door and is greeted by the man, Mr. Bauer. She steps inside his home and looks around in awe. Bauer is very handsome and Cassidy can’t help but feel a little shy. He leads her into the living room and invites her to sit. She casually asks where Mrs. Bauer is. The man explains that she has already left home and that he will soon leave to join her. They chat about the job for a few minutes before Cassidy asks about the son … how old is he? Where is he? Mr. Bauer tells her that his son has already gone to sleep in the nursery down the hall. She should not try to wake him, as he is a light sleeper. What she needs to do is mind the house while the son sleeps. Cassidy finds this a little strange but her eyes go wide when Mr. Bauer starts to talk about her payment. He hands her an envelope and says that he likes to reward handsomely for the girls he trusts as his babysitter. He is going to leave now but she should stay put in the living room, watch TV, eat whatever she wants. Just don’t go down to the hall to bother the baby while he is sleeping. He hands her the remote and plunks her down on the couch, before leaving. Intimated by his touch, she looks down at the envelope in shock. What an easy job this is turning out to be! Throughout the afternoon Cassidy watches TV, lounging around and growing idle. Scene cuts to her rifling through the fridge, when she pauses … thinking she’s heard something. Scene cuts back to her in the living room, trying to read a book. She looks back towards the hallway suspiciously. Why hasn’t the baby cried? Scene cuts to her on the toilet. She wipes herself when she hears a noise and stands up abruptly. Creeping out of the bathroom, she approaches the hallway. She calls out to the baby and hears nothing. She slowly walks towards the end of the hall, where a nursery sign hangs on a door. She presses her ear to it and hears a soft muffling inside. The sound of breathing. She breathes a sigh of relief and opens the door.

But when Cassidy enters the room, things are not what they seem. There is no nursery. There is no sleeping baby. She is inside the master bedroom and so is Mr. Bauer – naked and masturbating.

The Deflowering, Scene #01

THE DEFLOWERING:
Teen Trades Virginity to Save her Nerdy Boyfriend

ORIGINAL SCENE TREATMENT (excerpt)

Scene opens on a black frame, as we hear Amy (Piper Perri) giggle and ask ‘Adam, what are you doing?’ Her boyfriend (Robby Echo) replies, ‘We’re almost there babe, just hang on a little longer…’ He slowly removes his hand from over her eyes and, from Amy’s POV, we see where they are for the first time. It’s their anniversary and the 19-year-old nerdy couple are celebrating at Adam’s new place. Amy gets her bearings and looks around at the rental for the first time. It’s huge, a mansion … way better than his parent’s basement! Adam proudly boasts that they can now do whatever they want without his folks watching and he has a whole romantic day planned for their anniversary. Amy is shocked and confused as to how Adam can afford such a place but he brushes it off, saying he got a new job and that he’s really getting his life together to support them in the future. When Amy asks for a tour, Adam nervously rushes her through the house to get to his room. This seems strange, considering how impressive the house is … but Amy takes his hand and follows him inside his bedroom. He nervously looks down the hall before shutting the door. The camera lingers on the closed door for a moment before slowly moving to another part of the house, where we see a gang of tough-looking guys weighing and stacking drug pouches into a delivery bag.

The couple make out inside Adam’s bedroom for a few minutes when there is a loud bang on his door. One of the men from down the hall demand he join them in the living room. Adam clamps his hand over Amy’s mouth and makes up a cheap excuse but they call him a bitch and tell him to come downstairs now. Before she can say anything, Adam tells her it’s just his new roommates playing a joke on him and tells her to be quiet and wait in his room. She sits on the bed confused before deciding to go investigate. When she creeps into the living room, she is stunned to see her nerdy little boyfriend surrounded by the gang … who are berating and teasing him as he counts the kilos on the table. She overhears enough to discover that he has been helping them out with their operation in exchange for free room and board. He fucked up the count on their last delivery so they are about to kick his ass out if he doesn’t make up for it. Adam looks weak and nervous, as he tries to smooth talk his way out from the guys. They enjoy having the little nerd to beat up on and use as a punching bag, especially since it’s so clear that Adam wants to be one of them. But all that stops when they realize Amy is standing there…

The Rental, Scene #01

THE RENTAL
Student Trades Sex for Free Room & Board

The scene opens on Amy, a 20-year-old college sophomore, (Aubrey Sinclair) as she sits crying in the front seat of her car. Her vehicle has been loaded up with boxes and clothes and an eviction notice rests atop a notebook on the passenger seat. The student was recently kicked out of her apartment and has spent the past few days living out of her car. She is dirty and tired and incredibly anxious. When her phone rings, a return call from an application she submitted, she answers enthusiastically … but her face falls as she is told, for the tenth time, that her credit is too poor to be considered. There is only one rental left – a private room in a house. Since the place is close by, she decides to skip a call and go directly there. After all, perhaps meeting the landlord in person will give her a stronger chance at pleading her case. When she knocks on the door, she is greeted by a man. At first, he is very timid and uneager to open but when she mentions being interested in the room he’s advertised, his expression changes and he warmly invites her inside. He introduces himself as Philip (Tommy Pistol) and shows her around the house, while she cautiously checks him out. Something about him seems a little strange but the place is very nice and clean and the price is right, so she decides to ignore it. When Philip offers to let her to move in right away and not worry about a lease (or credit check) she jumps at the chance. Eagerly, she heads back outside to begin grabbing her things as Philip stands at the door watching her intently.

Throughout the day, as Amy unpacks in her room, Philip keeps making excuses to come in and check on her. She finds it annoying and a little creepy, especially the way her landlord leers at her, but it’s all so harmless that she shrugs it off. Even after he is found watching in her room as she gets out of the shower, he is so nervous and apologetic that she shrugs it off. She gets into bed, calls her mother to tell her about the move, glossing over the details, and then turns out the light to go bed. That night, she is woken up by a rustling noise. Looking out across the darkened room, she discovers Philip has snuck in, rifled through her dirty clothes, and is now sniffing her panties while watching her sleep. She panics and confronts him, turning on the light and threatening to call the police. He calms her down and explains that he is harmless, he just has a little problem… He is a sexual deviant who is obsessed with young women. Everything about them: how they look, how they smell, how they taste. When she showed up at his doorstep and inquired about the room, he couldn’t help himself. And, now that she’s living under his roof, he finds the temptation unbearable. Nervously, she asks him if he is a sex offender and he assures her that he has no criminal record, it’s just a … hobby of sorts. He promises to be the easiest landlord ever, if she’ll just allow him to watch her from time to time. Letting her guard down, she realizes that she has power over the pervert and this descends into a negotiation where she agrees to let him ‘obsess’ over her in exchange for free room and board. Excitedly, he goes along with it … agreeing to her terms as she removes articles of clothing and lets him touch her. Eventually, she tells him she will let him use her body however he wants in exchange for covering her entire year’s tuition and the horny pervert agrees.

The Bad Uncle, Scene #01

THE BAD UNCLE:
An 18-year- old girl becomes the subject of a man’s dark fantasy.

ORIGINAL SCENE TREATMENT (excerpt)

Her father’s buddy for years, ‘Uncle Joe’ (Charles Dera) has watched the girl (Jaye Summers) grow up and, now that she is of legal age, his fondness for her has become an obsession. Every time he is over at the house, he gets distracted by her teen body and how much he’d like to take advantage of it. But, he can’t do anything while her dad’s around. Joe comes up with a plan to take the girl away for the weekend to his ranch house – as a high school graduation gift. He pitches it to her and her father as a ‘gift from her uncle!’ and she is extremely excited. She’s so sick of living with her uptight parents and, now that she’s an adult, she’s yearning for a little adventure. Plus, Uncle Joe has always been dad’s coolest friend and she loves how he calls her princess and spoils her. When he picks her up for the trip, she literally jumps onto his bike. Once they arrive at the house, the plan goes into motion. The girl can’t seem to do anything without something happening … a string of coincidences that become increasingly sexual between her and Uncle Joe. She catches him eyeing her in her bathing suit; she walks in on him changing and finds herself lingering a little; when she goes to change for bed, she discovers that her luggage has disappeared. Then, the ultimate coincidence is revealed: Uncle Joe only has one bed. Even though he treats it like no big deal, she feels very shy about sharing a bed. He strips down to his boxers. They lay in silence, listening to each other rustling. He begins masturbating while creepily looking at her back.

Uncle Joe rolls over and presses his cock against her leg, pretending to be asleep. Her breath quickens, as she slowly reaches down and touches it. She can feel him react to her and this causes her breath to quicken even more. He shifts towards her, his cock resting on her thigh. He leans in, eyes still closed, and she lies nervously inches from his face. Her eyes dart up and down, unsure of what is happening. Finally, gasping, she looks at him and asks ‘Uncle Joe?’ He opens his eyes and stares deep into her before saying ‘I’m going to put it inside of you now, princess.’ She nods, mutters yes nervously, and he clasps his hand over her mouth.

Dad Caught Me, Scene #01

DAD CAUGHT ME
Teen Punished for Partying by Step-Dad while Mom is Resting

The scene opens on an 18-year-old girl, Charity, as she slowly opens the door to her family’s house one morning. She’s been out all night, partying with friends, and looks disheveled and tired. Not wanting to get caught sneaking in, she tip-toes her way through the quiet house and past her parent’s bedroom. The door is closed, a sure sign they are still sleeping. Breathing a sigh of relief, she makes her way to her own bedroom and opens the door. Stepping inside, she heads to her bed and starts to pull off her top when she discovers her step-dad is sitting in a corner of the room waiting for her. He is holding her stash and looking angry.

Before Charity can react, dad lashes in to her about what he’s found. She’s stolen all of her mother’s pills and a host of other substances. How could she do this to her poor mother? She’s 18 now, an adult, and still living under their roof. The roof he pays for! If she is going to keep living here and acting so immature then she deserves to be punished! Charity tries to defend her actions and tells him he can’t tell her what to do anymore and he isn’t her real dad. He grabs her, yanks down her bottoms and starts to spank her. She hits him back and he threatens to call in her mother and tell her the truth. Charity stops. She argues with her step-dad not to do that, mom is sick, she can’t find out about anything. His hand raised, he orders her to take the spanking then. Angrily, she agrees. While over her father’s knee, she notices him getting hard.

You’re being disgusting dad, she tells him while he spanks her, I can feel your dick! Dad groans and asks if she likes it. Charity jumps off his lap and backs up in the room, asking what the fuck he thinks he’s doing. Dad tells her that he can’t help it – with her mother so sick, he hasn’t been getting what he’s used to and she felt good. In fact, she felt so good that she should really just suck his dick now. Charity refuses, telling him he is a pervert. He’s been her step-dad for like 10 years now. That’s creepy. Dad pushes harder and threatens to tell mom again, upping the threat by Charity begs him not too, pleading to do anything else instead. Well, if you won’t suck my dick, what if you let me lick your pussy instead. You don’t even have to touch my cock … just my tongue and my fingers a little. Finally, the teen agrees to let her step-dad eat her out. She lies back on the bed awkwardly while he spreads her legs and takes great pleasure in licking and fingering her. As he goes, he gets more aggressive and the teen can’t help but moan in pleasure, getting so loud that dad has to clasp his hand over her mouth to keep her from waking mom up. Unexpectedly to her, she cums all over his fingers. He leans in and asks to fuck her now … just this once. She already liked it and this is the only real way he won’t tell her mother. He’ll even give her back her stash. Charity slowly agrees, saying yes, as dad plunges into her.

Prom Night, Scene #01

PROM NIGHT
Nerdy Girl Gangbanged by Popular Boys Before School Dance

The scene opens on a bed, as a prom gown is carefully being laid out. It’s early evening and a mother is helping her daughter dress for the big night. The girl, Julie, seems very shy and reserved as she strips out of her clothes and slowly climbs into the dress. Her mother, sensing the girl’s nerves, does her best to reassure her. She’s been asked out by the most popular boy in school and still can’t figure out how it happened. The mother tells her it’s because she is beautiful, as she zips the girl up and shows her off in the mirror. The girl, hiding behind her glasses, blushes and tells her mom to stop. She is a total loser at school. No boys like her. Why would he ask her out? The mother takes the girl’s glasses off and tells her sternly that he asked her out because she is special. She is a perfect, precious 18-year- old girl. What boy wouldn’t want that? Julie looks at herself long and hard in the mirror before allowing a slight smile to cross her face.

There is a knock on the door. Julie, now dolled up in her prom dress, opens it to reveal Justin standing there, wearing a suit and carrying a corsage. He looks very handsome. Like prince charming, he kisses her hand, gently slips on the corsage, and invites her to ride with him in the back of his town car.

Inside the backseat, the teens small talk. Julie is very nervous and Justin makes up for it by being overly friendly and boisterous — talking about senior year, football, his recent 18 th birthday kegger. She listens to him with doe eyes, still shocked that he even asked her out. Noticing her stares, Justin breaks to ask if she was surprised that he wanted to go with her. She nods. He tells her that he had seen her around school and always thought she was adorable. So innocent and quiet. A lot of guys talk about her. She blushes and thanks him. I’m sure you are making that up, she says. He asks if he can kiss her and nervously she agrees. They share a kiss, his hand slowly wandering onto her thigh. She looks down at it. Justin remarks what a good kisser she is and tells her that he really likes her. Julie says she likes him too. I bet you can do more than just kiss, he says, putting his hand on her thigh again. Julie nervously nods and they kiss again. How about we go park for a bit and you can show me, Justin tells her. She smiles and quietly says yes. They drive on.

The car pulls up to a clearing and stops. A semi-circle of cars, all with their headlights on, are waiting for them. Several other guys from the school, all in suits, are standing in front of the cars. Justin gets out and walks the confused Julie over to the group. The lights illuminate the girl in her dress, as Justin tells his buddies the good news. Julie is going to fuck them all before prom! Julie looks stunned and grabs Justin by the hand, pulling him to the side. I thought you said we were going to park, she whispers. Just us, not with your friends. Justin’s demeanor changes and he says loudly that if she wants to fuck him so bad, she has to be nice to his friends too. After all, they all like her as much as he does. That’s why he asked her out … because he knew she’d be cool. Julie stares at the boys as they slowly edge closer, cooing at her and convincing her to relax and hang out with them. Desperate to look cool for Justin and to not seem like a prude, Julie ultimately agrees to have sex with all of them

You’re Safe Now, Scene #01

YOU’RE SAFE NOW
TROUBLED VIRGIN EXPLOITED BY SOCIAL WORKER AFTER BEING RESCUED FROM CULT

SCENE opens and a fragile-looking girl (Whitney Wright) nervously shuffles along the walkway to the doorstep of a social worker’s house. She is clearly not comfortable, looking a little paranoid as she glances around her as if checking that there’s no one laying in wait around the next corner. She’s easy to startle, flinching as a car drives by in the background. She lets out a shuddery breath to calm herself, then hugs herself, trying to provide the comfort she’s been deprived of for so many days.

She steals a moment to brace herself on the steps, telling herself that she can do this. Just as she lifts a hand to knock on the door, the door opens, revealing a man (Derrick Pierce) with a warm smile. Lily jumps with surprise and he apologizes, saying that he saw her through the window. He seems approachable. He says that she must be Lily and invites her in after introducing himself as Aiden Taylor, her social worker. She seems to relax slightly — only slightly — with his warm greeting.

She steps inside the home, thanking him for seeing her, though hesitantly comments that she was surprised he asked her to come to his house, not his office. Aiden replies that he likes working from home since he finds that people who have trouble trusting others — like many of his clients, perhaps even like her — feel more at ease meeting in a comfortable, inviting setting than in a big cold corporate office. He’s worked a lot of cases and the home environment seems to work best, especially for teens who are often otherwise distrustful of authority figures.

She pauses a moment and responds that she guess she can see that, sure, warming up a little to his attempts at putting her at ease. He sees she is still a little skittish and smiles, reassuring her that she doesn’t need to be afraid anymore as he puts a firm hand on her shoulder. Lily tenses and he immediately pulls back with an apologetic look, gesturing instead with that same hand for her to head towards the office. As he does, he promises that she’s safe now, but as he closes the door, there’s a glimpse of a smile turned sinister.

TITLE PLATE

Lily and Aiden step into the home office, which is warm and inviting. There are two armchairs in the office facing each other. A desk might be present, but Aiden opts instead not to sit behind it, taking instead one of the two chairs facing each other. Aiden gestures to and pats the other chair across from him, encouraging Aiden to sit, as he sits opposite of her. He keeps a comfortable and standard distance from her of about three feet to promote intimacy. She’s nervous as he picks up a notepad and pen. Her posture is closed off, with her shoulders pulled in, her hands fisted tight against her lap.

Aiden and Lily begins discussing the case. To start with, he just needs some basic information to make sure everything gets processed correctly. He asks to check the spelling of her name and her birthdate. She gives her name and birthdate to him, and he asks if that means she’s 19, which she confirms. He also asks about her family, which makes her shift uncomfortably. She gives the names of her parents, as well as her younger sister, Emily. He asks how old Emily is, seeming intrigued — she’s Lily’s YOUNGER sister, right? Emily confirms yes, she just turned 18 this month. Only a few days before they ran away, in fact. Aiden seems pleased with this response.

Aiden then uses the tried-and-true method of small talk for easing her into the session. He talks about the weather, and she mentions that the weather was really nice for walking to his place. It felt like she was seeing everything for the first time. Aiden asks her how does she mean seeing everything for the first time? She shrugs, looking a bit sheepish as she admits that the sun is brighter, the wind warmer, the birds more cheerful… Emily was so excited when she saw a florist shop for the first time a couple days ago, Lily adds with a small but fond smile. The flowers were so colorful, like the ones just outside on Aiden’s street. ‘Father Warren used to say that boastful colors were the devil’s palette, so we only had white flowers in our homes.’

Aiden then continues, probing more into the situation. He starts by asking how many days she’s been in the city? She says it’s only been a week? She remarks that it’s hard to tell because so much has happened — it feels like her head is still spinning. He asks her where she’s staying, and she says that they’re at a local shelter. He asks her how the conditions have been and she admits they aren’t great, nothing like how things were at the compound.

Aiden assures her that it’s normal for her to feel anxiety, but that she’s doing fine. He then asks her to discuss the commune. She’s still uncertain, looking around nervously while rubbing her arm or biting her bottom lip. Aiden assures her that everything they discuss is strictly between them. He’s there to help her. She gazes at him for a few moments, choosing to trust him, then explains how her parents have both been part of the commune since before she was born, they were some of the first members to join. It was the only life she’s ever known. She didn’t think anything of it until a few months ago when she started hearing rumors. Aiden asks her what rumors she’s heard. Lily is quicker to respond now, desperate to be heard as she leans forward in her chair, becoming more animated.

She says that she heard that their leader, Father Warren, was taking girls into the barn to… to DO things to them… ‘What KIND of things?’ Aiden asks, leaning in as if almost perversely wanting to learn more, his warm presence starting to shift to something unsettling. Since she’s so desperate to get everything out into the open now, she doesn’t catch onto Aiden’s change of demeanor. She says she’s heard that he takes them back there to have sex with them.

‘And why did you feel uncomfortable about the rumors? …Is it perhaps because you secretly wanted to be one of those girls?’ Aiden asks, still in a professional tone, which seems creepier now because of the nature of the questioning and the way he seems even MORE focused on her. His eyes even flicker over her body briefly, which she catches.

She closes her body off again, gasping. ‘No, of course not! Why would I want that?’ she exclaims. Aiden slips back into a practiced smile as he leans back into the chair. He apologizes to her for making her uncomfortable, explaining that he’s worked with many troubled teens that developed attraction towards the men that have been exploiting them. He invites her to continue speaking.

Lily is a little wary again now, but continues talking, unable to help herself. She NEEDS to be heard! She says that ever since she started hearing the rumors, it was like a fog has been lifted. She noticed other strange things, too, like how everyone seemed TOO happy, but any time she tried to talk to her parents about it, they denied everything. Finally, she decided that she NEEDED to get Emily to safety. She couldn’t let Emily be the next one that Father Warren decided to be sinful with. They fled, having no belongings, no money, nowhere to stay… They got a ride to the city and have been staying at the women’s shelter for now, but it’s not enough. They can’t stay there forever. When she asked the homeless shelter volunteers, they referred them to Aiden, so that’s why she’s there. They said a social worker might be able to help her and her sister get the care and resources she needs to ensure that she and Emily are truly SAFE. She’s the big sister — she HAS to take care of Emily. She can’t risk them being sent back to that crazy place now.

Aiden says that he think he may be able to get them into a transitional home and goes to the computer to check. However, he’s not really looking anything up at all as he instead watches Lily from afar. After a few moments, he approaches her and says that he can help them. But there’s a lot of people ahead of them on the waiting lists…

Aiden then reveals that he is convinced that Lily and Emily were part of a sex cult. Lily is shocked, but especially when Aiden crouches close and suddenly looks a whole lot creepier. Aiden reflects out loud that if the commune was that strict about sex, Lily is probably still a virgin then… but, he asks, has she ever at least masturbated?

Lily is shocked by the change, recoiling away from him. She finally states that she’s REALLY uncomfortable about all this and doesn’t think he’s the right fit for her needs. She makes for the door but Aiden speaks up again in a cold drawl. ‘You COULD leave, if you want. I certainly won’t stop you. Just know that I’m the ONLY one that can help you get what you need to start a new life. No one else will help you if I exaggerate a few things in my notes here…’ Lily exclaims that he can’t do that. He counters that he CAN and WILL.

She’s horrified and torn. ‘No, I HAVE to protect Emily… I have to get her AWAY from all this…’ Aiden smiles darkly as he undoes his pants and removes his cock. ‘If YOU cooperate, I can help make sure you BOTH get the new life you’ve dreamed of. You can be together and HAPPY for the rest of your lives…’ he teases.

Lily tries not to stare at the cock, since it’s her first time seeing one, shocked by everything that’s happening. She backs up as he approaches until her back is against the nearest wall. ‘What are you doing?? No, I-I can’t do this…’ she stammers. He asks if she’s REALLY going to let her dear little sister down like that? He said he’d help her and he plans to keep his promise. Now she has a choice to make.

She finally reluctantly agrees to have sex with him if it means securing a better future. She nervously drops to her knees and parts her lips while looking up at him. He mockingly says that she’s made the right choice and that her sister should be SO PROUD of her for being so brave…

Coming Home, Scene #01

‘Submission is a choice, born of free will and made from a place of strength. It is a deep-seated need to serve the one who has earned your obedience through patience, respect and trust.’
-Unknown

We watch a beautiful, submissive housewife (Casey Calvert) getting ready for her husband (Seth Gamble) to get home from work. She is dressed in a retro floral dress and apron with white stockings that highlights her purity. The house is ultra-modern, which contrasts with the woman’s pinup style and old-fashioned accessories, as if she was transplanted from the 1950s into the modern world.

When she’s done vacuuming and dusting, the housewife fills a crystal bowl with milk and saunters to the bedroom with a doting smile. Her pet (Whitney Wright), a young woman dressed in tight leather with a crystal collar clasped around her neck, stirs on the bed. As the housewife sets the bowl on the floor and sits with her pet, the pet nuzzles in close before crawling off the bed to lap at the milk.

The housewife admires her darling, obedient pet before leaving the room, with the pet crawling on all fours after her. It’s almost time for the husband to arrive, and they’re both eager to greet him after his long day at work.

When the husband steps in through the door, wearing a handsome suit and fedora, he is greeted by his pretty housewife and pet. Once he makes himself comfortable on the sofa, he’s in heaven as he strokes his pet’s hair while his housewife makes sure he has everything he needs. Of course, there’s just one more thing he needs to really take away the stress of the day… and both his housewife and pet are all too willing to deliver.

‘My will is yours.
My mind is yours.
My body is yours.
My heart is yours.
My fears belong to you.
My desires belong to you.
My release belongs to you.
My surrender belongs to you.
I submit to you.
I am yours.
But know this…
You are also mine.’

Brother’s Wrath, Scene #01

BROTHER’S WRATH
ANGRY TWISTED BROTHER TREATS SISTER LIKE SEX DOLL

SCENE OPENS with a kind man, Mr. Adams, sitting at a coffee table while Mandy (Gia Derza) walks over to him with a cup of coffee. Mandy is smiling, though the smile is thin and doesn’t reach her dull eyes. Her movements are slow, as though it takes a great amount of effort to do anything.

‘Here’s your coffee,’ she says to her teacher. Mr. Adams thanks her as she slowly sits down opposite of him. It looks like she’s in a daze, and Mr. Adams is visibly concerned about this. Once she’s seated, he thanks her for letting him in. He doesn’t visit his students in their homes like this very often — in fact, this is the first time he’s done it! — but he just wanted to check up on Mandy.

‘Oh, why, sir?’ Mandy asks, her voice still faint and faraway. Mr. Adams clears his throat and says that she’s been missing a lot of classes lately. He’s concerned about her since he knows what it’s like to lose someone, he’s lost his mother, too. He just wants her to know there’s help available whenever she needs it.

Mandy says she’s fine, she has her step-brother, Ryan (Seth Gamble), looking after her now. At the mention of his name, Mr. Adams looks more concerned, saying he wants to talk to her about that. Is everything good between them?

The camera focuses on Mandy’s face, her smile fake and eyes glazed over. ‘Yeah, of course, everything’s fine.’

TITLE PLATE

Mr. Adams doesn’t look convinced and opens his mouth to speak, but his phone goes off in his pocket. He checks it, then hesitates as he says he has to go. He thanks her for the coffee and rises to his feet, as she mindlessly smiles after him. He tells her, in a careful way, to contact him if she needs ANYTHING… Mandy reiterates that she’s fine but thanks him for his concern. Mr. Adams is still torn but finally takes his leave.

Once the door is closed, another man speaks up from behind Mandy. ‘What’s he doing here?’ Ryan asks, his tone guarded.

She responds that he came by to check on her. Ryan’s eyes darken as he approaches her. ‘Oh, and what did you tell him?’ he asks, his voice dangerous. ‘I told him the truth, of course, that everything is alright and that he doesn’t need to worry about me,’ she responds. Ryan then smirks, patting her hair like someone would do to their pet. ‘Good girl,’ he praises in a mocking way. Mandy doesn’t acknowledge the pats or the praise, still detached from most everything.

Ryan then continues on, saying doesn’t Mandy want to know how his day is going? Mandy apologizes, although it’s hollow, and asks how his day was.

Ryan gushes about his girlfriend, who he just got back from a date with. She’s perfect in every way… She has big blue eyes, amazing breasts, and legs that go on for days… Mandy says that she’s happy for him. It sounds like Betty is making him very happy. He gives her an odd look and laughs in a cruel way. ‘Betty was two girlfriends ago. I’m dating Lucy now, you knew that, silly.’

Finally, he grins and wraps his arms tenderly yet possessively around Mandy. He murmurs into her ear that she doesn’t seem very happy for him and how well things are going with him and his new girlfriend… He’s worried about her, he says in an exaggerated tone to show that he really isn’t. Maybe it’s all those stressful thoughts about school, he says. Really, at this point, she should just think about quitting if it’s too much for her. He then creepily tells her that that way he would have a lot more time to look after her, he’s always going to be here to take care of her… She’s hopeless without her big brother, after all.

‘Yeah, I am,’ Mandy says, almost mindlessly, though she lifts her hands to touch the arms wrapped around her, nudging her head back against him. ‘Yeah, you need me,’ Ryan reiterates as he presses their heads together, smelling her neck. He needs Mandy, too, of course… She’s the only one he can turn to when he has that itch he can’t scratch. Lucy, Betty, all of the other girls he’s been with… they’re too sensitive. He could never ask something like that of them. But not Mandy, she’s a good girl that can take it.

Mandy echoes that, yes, she’s a good girl that can take it…

Ryan creepily begins feeling Mandy up now. Although her eyes are still blank, she doesn’t resist his touches. In fact, she subtly presses into them. It’s all done automatically, as if she’s been conditioned to do it through prior experiences, but it still signals that he can touch her.

Mandy allows him to kiss at her neck and grope her breasts through her shirt for a few moments. Her eyes seem less hazy for a moment as she carefully mentions that people are starting to get concerned about her being home all the time… like Mr. Adams…

Ryan’s expression hardens briefly, though then subsides as he cups Mandy’s cheek. He tells her not to trust Mr. Adams — he seems like a bad influence. Mr. Adams doesn’t have her best interests at heart — HE does. Mr. Adams, and all those other people out there, just want to separate them because they don’t understand the love they have for each other… Mandy loves him, doesn’t she? Mandy utters that she does, pressing into his hand.

Ryan pulls Mandy close, running his hands hungrily over her body, and reminds her that he’s the only one that knows what she needs — what she REALLY needs. If anything, he’s doing her a favor, he’s just being a good big step-brother! It took some work to get to where they are now, but she’s finally the way he wants her — perfect.

Strikes A Chord

STRIKES A CHORD
STRUGGLING MUSICIAN HAS THREESOME WITH DJ FOR PROMISE OF FAME

SCENE OPENS on Aidra Fox, walking down a busy city street. Holding a guitar case, she turns a corner and meets up with Lee, her manager. Aidra tells him that she made a lot today, handing him some bills. He can’t believe what he’s seeing. SIX dollars and some quarters is NOT a lot! She was out there for two hours!! Did she even play any of the good songs?? She played everything that he told her to play, but they weren’t really paying that much on that corner. He picks up a slip of paper that she dropped on the ground. What is this? She tells him that it’s a phone number that some girl dropped in her guitar case. He looks at the paper closely. Wait a minute—did the girl give Aidra DJ GAMBLE’S phone number??? He’s the hottest DJ out right now! If this phone number is real…it’s GOLD, Lee adds. They have to go call him RIGHT away.

CUT TO Cruella (Abigail Mac), DJ Gamble’s associate. She walks through a beautiful house and opens the front door, greeting Aidra and Lee, the people that she spoke with on the phone. She invites them in, telling them that DJ Gamble is waiting. A mysterious glint in her eyes, she closes the door behind them.

CUT TO TITLE

Cruella leads them into a high-tech home studio, where DJ Gamble (Seth Gamble), headphones on his ears, sits in front of a computer screen. When Cruella tells him that they have guests, he takes his headphones off and turns to Lee and Aidra. Lee tries to shake his hand, but DJ Gamble doesn’t acknowledge him, instead fixing his gaze on Aidra as he walks up to her wordlessly. He stares at her for a moment longer, as if he’s appraising her, before he turns and sits back down again. Aidra narrows her eyes, puzzled, as DJ Gamble whispers something in Cruella’s ear.

Cruella returns to Aidra, telling her that Mr. Gamble is VERY interested in talking more. But before they talk, Cruella wants to make sure that she’s comfortable, so she helps Aidra off with her coat. Aidra smiles, taken by their attention and hospitality. But her smile turns to a gasp of shock a moment later when Cruella abruptly squeezes Aidra’s ass, complimenting her on her figure. Aidra can’t believe what just happened and excuses herself and Lee so that they can speak privately. In the other room, Aidra is freaked out, saying that these people are just trying to FUCK her! Lee convinces her to at least hear them out and they go back into the studio.

Caressing her arm sensually, Cruella tells Aidra that she and Gamble spoke and they are very interested in doing business together. Lee tells her that if she wants to talk business, she has to talk to him, so Cruella takes Lee to the other room. When they return a few moments later, they announce that they’ve reached an agreement.

Seemingly out-of-the-blue, Cruella looks Aidra in the eye and firmly tells her to take off her clothes. Aidra looks at Lee in disbelief. W-what is she talking about?? When Lee prompts her to do it, Aidra is furious. How could he DO this to her?? At that moment, DJ Gamble spins around in his chair, loudly clearing his throat and walking up to Aidra. Aidra looks on in shock as Lee excuses himself, leaving the trio alone. Just…take your clothes off, he says softly. That’s NOT what she came here for, so Aidra announces that she’s leaving. DJ Gamble stares at Aidra, telling her that she can leave, but if she does, they won’t have a chance to make her into the star she was born to be. All she has to do is give them a little…something.

So…if she wants their help, she has to be a good girl and take off her top for them. Taking a deep breath, Aidra says yes and slowly takes her top off. DJ Gamble begins to rub Aidra’s pussy over her pants as Cruella kisses her neck and squeezes her tits. They slip Aidra’s bra off and Cruella sucks on her nipples, stripping her pants off and revealing her perfect pussy. When DJ Gamble and Cruella take their clothes off, Cruella directs Aidra to kneel in front of him and holds her hair as Aidra slides his hard dick into her mouth.

DJ Gamble and Cruella have promised to make her dreams come true, but Aidra’s going to have to sell her soul for that taste of stardom…